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・ Manuel Castro Ruiz
・ Manuel Castro y del Valle
・ Manuel Cavazos Lerma
・ Manuel Cañadas
・ Manuel Cañete
・ Manuel Centeno
・ Manuel Cepeda Vargas
・ Manuel Cervantes
・ Manuel Chabrera
・ Manuel Chagas
・ Manuel Charr
・ Manuel Chaves
・ Manuel Chaves González
・ Manuel Chaves Nogales
・ Manuel Chorens
Manuel Chrysaphes
・ Manuel Chrysoloras
・ Manuel Chua
・ Manuel Cipriano Dulanto
・ Manuel Cisneros Sánchez
・ Manuel Clares
・ Manuel Clemente
・ Manuel Clouthier
・ Manuel Clouthier Carrillo
・ Manuel Codorniu
・ Manuel Coelho
・ Manuel Coelho da Silva
・ Manuel Collantes
・ Manuel Colom Argueta
・ Manuel Concha


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Manuel Chrysaphes : ウィキペディア英語版
Manuel Chrysaphes

Manuel Doukas Chrysaphes (, ) was the most prominent Byzantine musician of the 15th century. He was a singer, composer and musical theoretician.
Little is known of his life, except that he held the office of ''lampadarios'' at the Constantinopolitan Court,〔Not at the Hagia Sophia cathedral, as Chrysanthos of Madytos and others who quoted him, wrote. The "Lampadarios" was an prestigious office of a soloist who replaced or directed the left choir.〕 and received commissions from the last two Byzantine emperors, John VIII Palaiologos and Constantine XI Palaiologos. Two of his own autographs survive, one from July 1458 in the Iviron Monastery in Mount Athos, and one from July 1463 in the Topkapi Palace collection. He is also one of the few Byzantine musicians to write on theoretical issues. His surviving treatise, ''On the Theory of the Art of Chanting and On Certain Erroneous Views That Some Hold about It'', is an invaluable guide to Byzantine music and the evolution of Byzantine singing in the late Palaiologan period.
== References ==


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